“A spectacular 50ft. high replica. Contains an observation deck and 2 floors of audio-visual displays of Queensland’s tropical production. Overlooking the POLYNESIAN ROOM (tropical restaurant and gift shop) and a tour by SUGAR CANE TRAIN through scenic SUNSHINE PLANTATION.”

Additional Reading:

• The Big Pineapple

At the end of the walled garden in Dunmore Park is The Pineapple. It is a folly par excellence, a stone fruit to revitalise the most jaded architect’s palate. This gigantic reproduction of the now familiar fruit dwarfs the surrounding trees, the most singular monument to come out of the little practised art of fruit architecture. In 1761 the twenty-nine year old John Murray, fourth Earl of Dunmore, had been married two years. Perhaps it was his marriage going sour that prompted the enormous fruit; or was it intended as a belated wedding present; or the result of a frivolous wager; or to commemorate the growing of a pineapple (not the first — they had been grown in hothouses in Scotland for nearly thirty years), but whatever the reason, this extraordinary building never fails to astonish.

The building was planned and designed with the utmost care, with each of the gently curving leaves being drained separately in order to prevent frost damaging the delicate masonry. There are two entrances: a classical loggia to the south and a Gothick doorway to the north on the upper level, leading into the second storey. The keystone above the south entrance carries the date 1761, and above this is a carved heart and the inscription “FIDELIS IN ADVERSIS,” commemorating the marriage of George Murray, the fifth Earl of Dunmore, to the daughter of the Duke of Hamilton in 1803. Some years ago the Landmark Trust took the building on a long lease from the National Trust for Scotland and carefully restored it for letting as a holiday home. A hermit’s cave has been reported nearby, so perhaps the Pineapple was not the only Dunmore folly. Sadly the name of the designer of this wonderful structure has not been recorded — it is a work of genius, certainly unique and probably impossible to duplicate nowadays. Tradition ascribes it to Sir William Chambers, but he was working in London at the time it was built and it is not mentioned in his writings, as such a remarkable building surely would have been.

Source: Follies: Grottoes and Garden Buildings

Additional Reading:

• The National Trust for Scotland

Are you ready, kids?
  Aye, Aye Captain!
I can’t hear you!
  Aye, Aye Captain!
O-hhhhhhhhhh……Who lives in a pineapple under the sea?
  SpongeBob SquarePants!
Absorbent and yellow and porous is he!
  SpongeBob SquarePants!
If nautical nonsense be something you wish…
  SpongeBob SquarePants!
Then hop on the deck and flop like a fish!
  SpongeBob SquarePants!
Ready?
  SpongeBob SquarePants! SpongeBob SquarePants! SpongeBooob SquarePaaaaaaaaaants!

Sir William Jackson Hooker (1785-1865) was a renowned 19th-century botanist who served as the first “official” Director of the Royal Botanic Gardens, Kew from 1841 to 1865.

“William Hooker’s illustrations of plants combine meticulous accuracy and attention to the smallest detail with enormous graphic technique and graceful presentation, and are acknowledged masterpieces of botanical art. Hooker’s illustrations of fruits are perhaps without equal. Both an artist and a gardener, Hooker had a remarkable knowledge of fruits. As a result, the Horticultural Society of London commissioned him to paint and describe about 150 of the most attractive and interesting varieties then being cultivated. The Pineapple series demonstrates his meticulous attention to detail and artistic skill, coupled with his extensive botanical knowledge of the subject.”

– Original Source Unknown

Additional Reading:

• Sir William @ Royal Botanic Gardens, Kew
• Sir William @ The National Portrait Gallery